Stormy weather and an enthusiastic audience mark Julia Burbach’s The Flying Dutchman as it proves a smashing success to open the 2025 season of Opera Holland Park. This is the first time Opera Holland ...
Opera North has got it right. At this time of acute uncertainty for the UK’s opera companies, it welcomes its audiences both old and new with confidence. The company has struck a fine balance between ...
Fleeing One and Bureaucrat: Robert Hayward as The Dutchman and Clive Bayley as Daland in Opera North’s production of The Flying Dutchman The production as a whole, however, and the contributions of ...
NEW YORK — At a rehearsal one recent afternoon, the Metropolitan Opera Orchestra was roaring out the final scene of Wagner’s “Der Fliegende Holländer” (“The Flying Dutchman”), which opens Monday, the ...
But while pulling off "The Flying Dutchman" will be historic for Opera Roanoke, Williamson is cautious when discussing the opera's future fortunes. The Taubman Foundation Sustainability Grant program ...
That storyline, so full of possibilities, has threaded through fictional works of all kinds for centuries. In Wagner’s opera “Der Fliegende Holländer” (“The Flying Dutchman”), the stranger is a ...
One of the city's most innovative arts companies enters a new phase Friday, Nov. 25, with The Black Pirate vs. The Flying Dutchman, its first show under new artistic director Erica Melton, who's been ...
How does a quarry become the largest and one of the most unique open-air stages in Europe, and the setting for some of the world's most famous operas? Just a few kilometres from Lake Neusiedl, in ...
Opera Roanoke's return to fully staged opera gets ever more ambitious. On Sept. 21 and 23 the company will tackle the staging of a Richard Wagner opera for the first time, with a production of the ...
Cathalena E. Burch Nov 21, 2013 Nov 21, 2013 Updated Jul 1, 2014 Arizona Opera is moving its orchestra out of the pit and onto the stage for this weekend’s performance of Wagner’s “The Flying Dutchman ...
Piedmont Opera’s first production of a Wagnerian opera in its 36-year history is an unmitigated artistic success, and, to judge by the opening-night audience’s response, a popular success as well.